The Prosperity of Perfection

"The soul prospers in the failure of perfection."--Thomas Moore

While we may perceive events as either immanent or as transcendent, the soul of a person knows no time but its own. When relating to others, it isn't always easy to open one's soul to another, to risk opening the self, hoping that another person will be able to tolerate a sometimes rational, and sometimes irrational nature. It may also be equally difficult to be receptive to the revelations of others.

The light of Oneness not withstanding, there is great temptation to separate, to judge, to make comparisons of these oddities of soul. Yet this mutual vulnerability is one of the great gifts of love.
To give another sufficient space in which to live and express one's soul in both its reason and unreason, then to further risk revelations of your self, in all its potential absurdities is a great gift.
The courage required for this is not easy; it is infinitely more demanding than making either judgment or comparison. While most of us contain ourselves fairly well, the soul and its ways eventually surface bringing forth the unexpressed that we sense stirring inside.

We all have to some extent, a sense of the fearfulness of such an enterprise. Oneness by its nature asks that we move aside, that we move beyond moments with others to a place that may ask for a share of soul in its whole form.
In the story, In Praise of Folly, Erasmus says, "it is precisely in their foolishness that people can become friends and intimates. For the greatest part of mankind are fools... and friendship, you know, is seldom made, except among equals."

As modern thinkers, we may present to the world a well developed intellect, a sense of proportion, still the soul is more fertile in its own imagination, in its own earth, finding value in sometimes irrationality. Perhaps this is in part why great artists and inventive minds seem a bit eccentric or mad to the average onlooker.
At times when seized by strong passions, our greatest anxieties often comprise the fear of being seen by others as foolish. We fear in love, in passion, that we appear irrational, foolish even, but that is exactly the point.
The soul is not the least concerned with reason or intellect. It operates more deeply, and more persuasively. So then, love in wholeness calls for acceptance of a Soul's less rational outposts, sometimes recognition that a heart may contain both love and contempt.

We need not only to know more about ourselves, but also we need to love more of ourselves, in an unsentimental way; that is the way to equanimity. Tolerance like patience matters because, "honoring that aspect of the self that may be irrational or extreme is the basis for intimacy," writes Thomas Moore.
With proportionately fewer expectations of perfection, less judgement, less and less are we separated by false notions. We come to recognize that the soul, in its meanderings, tends to move into new and positive areas in spite of, and because of the oddities expressed. Perfection plays no part here.
 In Oneness a beloved may be surprised by these developments, but not undone by their unexpected appearance. The soul, as a creative being, does prosper in the failures of perfection.

Inside the Grail Legend

“...if one is to find the Grail, [that] means not to fall prey to a mood.” The Holy Grail as interpreted by Robert Johnson


There are many, many truths to be gained from study of this most unique of legends, the Holy Grail. Following the lead of Carl and Emma Jung and Marie Louise von Franz, Robert Johnson writes in his book, He, that “what the Grail myth is telling us is that in his relationship to the interior feminine a man should relate to her, that interior feminine [self] on a feeling level and not on a mood level.” The author distinguishes the terms mood and feeling by explanation: he writes, a mood is the result of the interior self unconsciously in possession, the anima or interior feminine self of a man; a feeling is a value, the ability to value. “If a man has a good relationship with his anima, his feminine self, he is able to feel, to value, and thus find meaning in his life. If a man is not related to his anima... he has no capacity for valuation. So sharp collision between the two types of interior experience a man goes through."

In the Legend of the Grail, Percival is guided to his feeling senses, his anima. In discovering a bit of this sense, he is useful and creative; in doing so, he must not however seduce or be seduced by the interior feminine self. Granting himself seduction is destructive towards his goal of finding the Grail Castle. He is, in the legend, most thoroughly advised not to fall prey to a mood. “As soon as a man falls into a mood, he has no capacity for relationship, no power for feeling and therefore no capacity for valuation.” All moods, good or bad, are trouble.

While under the spell of a mood, the one who feels its effect is like a person bewitched. “He cannot think, he cannot function, he cannot relate; he may think he’s doing a great deal, but there is just so much churning inside. If something is not already wrong, a man in a mood will make it wrong.” And if they are not wise to it, a man’s loved ones may also fall victim to his moods. A man may, in fact, in that state of mind think that they are quite responsible for his moods!

Robbed of a sense of relatedness or meaning, a man in a mood we learn in the Grail legend, is a man who cannot find fulfillment. He is easily bored. Thus “if something is wrong with one’s ability to relate, the meaning in life is gone. So depression is another term for mood. One finds that most of the content of a psychosis for a man is anima. It’s a haunting, a possession.” A mood is a little madness then, which overtakes. Many times a person may be overtaken by a mood. There is then wild enthusiasm for this or for that, but the mood runs its course and then the thing is forgotten; much time and money is expended by those in a mood. While in this state he does not ‘run his own house’ and then is impossible to live with; he is terribly critical of exterior, in the flesh women at this time, soundly blaming them for any number of things to which they stand mystified!  A man must learn in his quest for the Grail to look for fulfillment but not good moods, lest he is again in possession by something destructive. It’s as if in the mood he declares, “You are going to make me happy--or else!”

The anecdote to this is to learn to live in time, moment to moment. One can learn to recognize the advent of a mood and refuse it. It is one's responsibility to know what is going on within himself so as to live consciously-- the point of this quest for the Holy Grail. “A man who has this kind of self-knowledge begins to develop ego strength,” writes Johnson. When truly enthusiastic, a man is filled with the Spirit of God. He is vibrant and creative. A great creativity flows, one which is stable and productive. It is not the petulance of a child.

The truest genius of a flesh and blood woman is that if she can be consciously aware of her innate feminine nature, not critical of others, and strong enough to stand up to this “spurious femininity” when a man’s mood presents such; he will likely come out of his mood and return to his senses. Many in this world are in the possession of a mental illness, a foul mood which befalls them either frequently or intermittently. They may say they’re having a bad day while in this state. And when comes its opposite, because balance is necessary, mania or depression appears. Chaos may also result owing to the lack of feeling or valuing. Careful reflection and conscious awareness is the point of Percival’s methodical search. The myth, if we follow it through, tells us that Percival triumphs.

Jung and the West, Regarding Kundalini*

"If some great idea takes hold of us from outside, we must understand that it takes hold of us only because something in us responds to it, and goes out to meet it." --C.S. Jung
In 1932 renowned psychologist Carl Jung, former student of Sigmund Freud, delivered a scholarly paper, now collected into a book, Visions, at a psychoanalysis conference in which he discussed the practice and symbolism of Kundalini Yoga. He also revealed to his listeners a startling correlation in the West between the practice of this type of Yoga, and the experience of a sudden, and perhaps not easily reversible sudden break with the realized world in some individuals. He describes this break as a psychosis, in which the individual believes himself unable to contact with, or function in the everyday world. He is then, psychotic by Western standards, Jung states.

On 16 November 1932 at the same conference, from the transcripts which survive, C.S. Jung says, " the child has grown into a peculiar sort of tree which is human above and snake below... the Kundalini. And below the diaphragm it is all snake... And what is worm below is divine above..." "In the Chakras, the Kundalini was always separate...We must never forget that the Kundalini system is a specifically Indian production, and we have to deal here with Western material... You know that Kundalini changes on her way up to Ajna, the lower part, the part of darkness where the Purusha does not appear, is the black snake; there one is absolutely swallowed up in nature, in emotion, and everything beyond emotion is not perceived because it is not perceptible....Jung continues, "So, to a primitive, a man who thinks is most uncanny, a very bad man, a sorcerer full of hatred who will surely poison you... When you have that point of view, you are inside of the monster. When you come through the diaphragm, you are outside of the monster, and then you can see what really held you was that divine being which appeared to you, when looked at from the inside, as a big snake.

That is the reason why this being is monstrous...."There is an intuitive philosophy taken over from Proclus, the Neo-Platonist, who extolled, "Where there is time, there is creation. Thus time and creation are the same... " Jung further discusses in this same lecture the evolution of Gnosis in the Greek world and the development of Christianity. He notes that Saint Paul first was a gnostic before his conversion; the prevailing ideas of both gnosis and the phrenes of Homer. "In those days Christ ranked with Bacchus or Dionysus. In the case of the phrenes, when the hero is killed, the phrenes leave him by the mouth, or by above, but that which goes to the lower regions is the psyche... It is exactly the same in Chinese philosophy where the shen is the masculine soul that goes [rises] up to the gods; the kuei soul is female; It sinks down to the darkness... you see, the Chinese understood man as consisting of two parts...Now this kuei soul according to Eastern and Greek tradition is not immortal...it slowly loses its form and vanishes into the lights of the Heavens... The little flame from my breast rushed forth and sought to merge with this figure.

What has happened here? Well, a sort of mystic union. The ego attempts to merge, or unite with the universal Self. The ego-self shows vivid desire; flame is always vivid desire to merge-- and where would that lead? To a seeming death--or to something new. Jung concludes, to the Western mind, the overly close parallels of opposite, of black and white, of hot and cold, of far and near, etc. creates a complete state of unconsciousness, a collapse of clarity. In its place, complete confusion, a state much like insanity comes to reign. Opposing factors coming too close together would render many people in a state of complete disorientation. They lose their values, their sense of rightness and have no idea what is wrong with themselves. They just feel that they simply don't care. In the mind of Kundalini, is the snake darkness? Is it light? Is it male or female? Perhaps it is both. How so? With new consciousness, what then am I? Is my 'self' enlightened, or a self, dis-integrated? However, the self may be righted again, says Jung, by dropping deeper into the Chakras system, into the water to quench the fire.

* This article, a reader favorite appeared her previously April 9, 2009