The Avataras of Vishnu

Vishnu, Hindu god, declares in the Bhagavad Gita that whenever dharma declines and the purpose of life is forgotten or set aside, he will manifest on earth. Vishnu declares he is born in every age, a human birth with human parents; his mission is to protect the good, to counteract evil and re-activate dharma for those fallen asleep in the world.

With this statement, Hinduism declares itself to be a salvific faith, a messiah not entirely unlike the Judeo-Christian belief. Vishnu carries out his intercessions innumerable times though not always in human form, of incarnations or avataras. Vishnu is thought to take on a disguise at times to bring dharma where it is most needed.The earliest avataras are most associated with the primeval ocean, water long seen as a symbol of life. Avataras also represent primordial chaos whose arising in Hindu philosophy is thought to be a prerequisite to the development of an orderly cosmos derived from earlier chaos.

The pantheon of avataras in modern Hinduism are: Matsya, the fish; Kurma, the tortoise; Varaha, the boar; Narasinha, the lion; Vamana-Trivikrama, the dwarf-colossus; Parasurama, Rama with the axe; Rama, the most famous of avatars, demon king-killer; Krishna, the most important of Vishnu incarnations, despot eliminator; Buddha, rids the earth of evil doctrines without exception; Kalkin, the final avataras, futuristic, will usher in a new age when manifest.

The Hindu sects of Vishnu follow a doctrine of a supreme being, a Brahman; his avatara is Rama who represents the epitome of manhood and human aspiration. In his female aspect, Vishnu is referred to as Shakti, who represents the goddess Lakshmi. As previously mentioned here, there are two distinct views of Vishnu delineated by geography.

Another important movement of believers are the Bhakti, the devoted ones. These persons see Vishnu with uncompromising devotion, a mystical, total union which may be attained by contact with the mortal intermediary of his avatara, Krishna. Typical devotions include sung or chanted expressions of adoration. The movement has strong links with Buddhism, primarily Tantric sects such as Sahajayana whose founder was Krishnacarya. Author Patrick Bresnan writes of this and more in his book, Awakening, the History of Eastern Thought.

An Epic Tale, Mahabharata

"Lying on the bed of arrows, Bhisma thinks of me, and my mind is gone to him, to that repository of knowledge. Strive for truth. Be good." --The Mahabharata

 Many here in the West are familiar with the Bagvad Gita, a famous dialog between Krsna and Arjuna; however fewer are aware that it is actually a text contained within the Mahabharata. The Mahabharata is an epic tale. It is the longest of poems, stretching out more than 100,000 verses!

According to tradition, its author is the sage Vyasa, the Arranger; however current scholarship has determined that the text was compiled over a lengthy period of time. It reached its current form about the fourth century CE. Along side the Ramayana, the Mahabharata is considered  two of the major epics in Hinduism, and sometimes compared to the great texts of other faiths
During the medieval period in Europe, the poem existed in two major forms, one northern and one southern. It was re-told in a Tamil version.

The central hero of the story is Yudhisthira, the son of Dharma personified as a deity. It is divided into 18 parts and is often acted out in a play throughout India and else where. It is a fluid and contemporary part of modern Hinduism. In the 1980's there was a version presented on television which was very popular.
 The origins of the story lay in the non-Brahminical social groups of the Aryavarta, especially the Ksatiya aristocrats, giving some understanding of their lives. The epic was overshadowed by the orthodox Brahmans and given its ideology by the same.
In a version told by Indian author, R.K. Narayan, the tale is shortened to its most critical elements and was published in London in 1978.

While the story may be enjoyed on many levels, it is an allegory and a metaphor for the human plane, the ethics of the higher and lower selves and the struggle between the two, and forms a profound philosophy. The story's central theme is a struggle over the rulership of a kingdom by two clans. It ends with the death of Krsna and the gradual uncovering of his divine identity.