Imagination, An Ability of the Heart

"I love you with all my heart." --by the many, the millions who have said and felt so.  And J. Hillman, author of the Force of Character

Reading the book, The Force of Character by James Hillman carefully, one stumbles upon many great and grand insights. It may take a few reads to grasp its themes. "Character used to be spoken of in terms of 'the of heart courage,' or the 'heart of generosity and loyalty.' " It is this heart which Hillman wants to address. He says this is also the heart that consoles the weary, that cooks a meal and shares its comforts with others, and delights in laughter. But there is a second heart, he says, that is even more familiar. It is the romantic heart of flowers and sweets; we 'give our heart away,'  'we are broken-hearted.'

And  Hillman writes of still another, a third heart. This heart is the one observed and practiced by early "great Christian writers, especially  Saint Augustine." This third heart is the one of inmost feeling, of true character. It is the me-mine, the closet of intimacy, an inward dwelling place." Because this heart is so deep and so private, "Augustine often refers to it as an abyss." Writers over time have elaborated upon this heart, calling it also 'the sacred heart.' Many practice devotions to realize and awaken this deepest heart. "The Sacred Heart is the heart of compassionate mysticism; it sets out a discipline of love parallel with the path" of Bhakti yoga, a part of Hindu tradition; it sets its path likewise with Jewish mystic tradition, the Kabbalah, Binah a mothering, discriminating intelligence-heart, leading one into an expanding character with regard to charity, compassion and mercy.

The "oldest heart of all, is the Egyptian Ptah, who created the world from the imagination of his heart! While the more recent Christian bible dares to state that the world was created by the Logos, the word which was with God, Ptah states "the same idea, except that for ancient Egypt, the words start out from the heart and express its imaginative power. The world was first imagined, then declared." Imagination, the 'ability to see things as images, is an ability of the heart, according to Arabic philosopher, Ibn Arabi." The images that we carry about in our reverie, in our dreams, in our deepest waking hearts become vividly real to the aware, awake heart. "Otherwise we assume them to be inventions, projections, and fantasies," Hillman writes.

This "imagining heart converts such indefinables as soul, depth, dignity, love and beauty-- as well as character and the idea of 'heart' itself into felt actualities, the very essence of life." Without it we only have a bio-mechanical pump to keep us going. And many of us do, when the occasion warrants, write to another, "I love you with all my heart."

Imagining and the Soul

"What converts this "it" into me"?  --The Force of Character by James Hillman*

Writing about character isn't so fashionable these days; in our psychologically steeped society, we are conditioned to think more about personality, ego, identity, integrative structures, and other such rational terminology for what has been thought of in previous generations simply as "character". And despite the apparent Oneness which most religions teach, you each have your style, your set of traits both physical and emotional, and a destiny. "You are essentially different from me,' says Hillman, 'by virtue of the lasting sameness of each of our individualized characters." Hillman argues that despite all the changes in a single lifetime, all the progressions made into the future, you are the unique sum of character; character provides 'a lasting core.'

"It's refreshing to discover that some of the oldest and most basic ideas of philosophy-- Same and Different, Form and Matter-- are actually at work in our daily lives... [What] keeps us who we are and holds our body to its form? Imagine the body as an ancient philosopher, the body as a place of wisdom... character, this governing wisdom... an active force...  the hustlers of materialism [form counters materialism, advances function] who ask us to buy the idea that we are complex pieces of biotechnology, compared to computer chips... results from underlying bio-genetic impulses.'
'Form can be reduced to matter." Equally fashionable and in doubt, in Hillman's eyes, is the discipline of Cognitive Sciences. Here the temptation is overwhelming to reduce a human being to an "organ of computation," a reptilian brain and so forth. Equally fantastic is the absence of myth or reductionism in its presentation. Rather there is an air of statement or axiom, self-evident 'truth.'

In contrast Hillman, the philosopher, the scholar, turns to thinkers such as Aristotle, especially Aristotle whose idea of Form in relation to the body and soul has guided much Western thought for more than two millenia. Aristotle believed that the soul is the form of the body, the original of its movement... the interests of body and soul are the same. The soul forms the body, in this view; while without a body, a soul cannot be located. Because of this Aristotle believed that the soul's beauty was harder to detect than beauty of a bodily form. The soul is, in tradition, the element concerned with goodness and beauty, justice and courage, friendship and loyalty. The soul is also variously described by its actions, such as courageous, timid, vacillating, or kindly, loving. "Through these characteristics we come to know the nature of our soul and to assess the souls of others."

Insisting that the soul has a definite, intentional, intelligent idea, Hillman strikes against the cliche idea of soul today that concludes it "all gossamer, no fiber; a refuge, a fairytale land, a mood, a symbol... He counters these cliches, insisting "the idea of  Form gives shape and character to soul, and demands more rigor in thinking about it. Further the character in this reckoning fulfills itself "by doing what it is naturally suited to do, which is also its pleasure. Aristotle called this natural activity, energy." Thus, the character imagined is as much a product of our imagination as our experiences; this "does not mean that our images are purely personal fantasies and that imagination is a function inside each privately enclosed skull."

Imagination is more than a mental function. The creative forces in the world, as the world soul, produce the images that we perceive; some come to us in idleness, in daydreams, in sleep, in sudden, clear insights, or after long struggles in meditation. The philosopher Emmanuel Kant remarked that without imagination, we should have no knowledge whatsoever.  We do not have to visually perceive these imaginings to feel feelings, think thoughts; we do not have to optically view poems, or characters in stories or movies to 'see' them or their character in our imagination. More than anything, imagination is one of the great "archetypal principles like love, order, beauty, justice, time. We sense these principles coursing through us." Beauty and order, for example, are not placed in the world; we find them there. Thus if  "character is a complex of images, then to know you, I must imagine you."

* author James Hillman is a well known thinker, Jungian psychologist and scholar.