"Everything that rises must converge." American writer, Flannery O'Connor
In her short life, the author Flannery O'Connor wrote many short stories, some poems and few novels. Suffering from a debilitating disease which she would not survive, she forged on until her end at age 39. She is regarded in modern American literary circles as a brilliant and unique talent. Her view of art was large. Rather than restricted, Ms. O'Connor explored both the natural and the supernatural worlds through her work. Writing about O'Connor's vision, author Mary Reichardt records, "doctrine actually provides an instrument for penetrating reality." Her work concerns itself with themes of sin, grace and salvation. Writing principally about what she knew best, the Protestantism of deep south America, she is "intrigued by the southern evangelical imperative to decide unequivocally for or against Jesus.... the American Protestant tendency toward individualism [is] not only inadequate, but even in its extreme expression, destructive," writes Reichardt of O'Connor.
Flannery O'Connor directed her eye toward 'secular agnostics' and some Protestants who she believed diluted the facts of salvation as she sees them, de-emphasized that historical fact of the great sacrifices of the Christ, as she understood them. For Flannery O'Connor, grace was not easy or cheap. As she suffered each and every day of her young, short life, to her a revelation was delivered, and she, through her immortal writing, wished to pass those revelations on, even after death. She wrote about grace that comes in often painful and horrifying ways; invading otherwise complacent lives, she explored violence and its ability to return a person to absolute reality, to the simple facts of life which later pave the way to grace. O'Connor observed that for some, "their heads are so hard that almost nothing else will do the work."
By exploring radical themes of self-deception, O'Connor becomes firm in her belief that "everything that rises must converge." She writes a short story by this title. As a writer, she felt entirely free to examine and explore these themes. She felt no need to 'play gods,' or to tidy up the world by creating new universes. She rather felt perfectly free to examine the one world, already existing, and to record the art of what she saw. Influenced by French theologian, Teilhard de Chardin, O'Connor wrote a series of short stories, seven in all, in which she examines the various state of consciousness. The first story in the series as arranged by O'Connor is Everything That Rises Must Converge and the last story is titled Revelation.
Showing posts with label Teilhard de Chardin. Show all posts
Showing posts with label Teilhard de Chardin. Show all posts
Monday, January 11, 2010
Thursday, July 16, 2009
The Cloud of Unknowing
"Our intense need to understand will always be a powerful stumbling block to our attempts to reach God in simple love..." --14th century English mystic
The modern reader of spiritual texts may surely have come upon this 14th century text. Its roots go even farther and deeper to the days of Plato and before. Some may deduce that they have come into an esoteric knowledge after reading excerpts of The Cloud of Unknowing when called by another name.
Indeed this ancient text again finds currency in 20th century spiritual thought. Yet the simplicity and the point which its author sought to bring forth was one that expressed the vitality of love as the central authority and force of all created beings; that, when at the 'end of words,' one must turn to the "cloud of unknowing" to further enter into the mystery of love.
For its writer expounds, there is no other way to knowing the All [god, god-head] save through love in its expanded form, a form that is not intellectual. Today's thinker is familiar with the term 'mysticism' which the Cloud's writer was not. He thought of it, simply, as hid [middle English-- hide, hidden] divinity. In this mind, he delves into the secrets of divine love. The heart of his revelation is disarmingly simple: love. We are all creations of love, he says.
He seeks to lead the practitioner of his method of meditation to the very being of god, which he says is being itself. Employing the simplest of methods, this mystic teaches a "here-there" or a "from-to" way of meditating a person between the everyday world into a world of light, of humility, of charity. The Cloud states, "for in this [everyday] life, no man can see God."
With simple confidence the Cloud says, 'The one who perseveres, who walks with courage, with faith, hope, and most of all, love, guides his soul through all manner of difficulty, which if faithfully followed leads the seeker to loving, in union with the One, the God.'
Throughout the ages and into modernity, many have loved and been moved by the writing, The Cloud of Unknowing. They would include thinkers such as St. Bernard, St. John of the Cross, French theologian, Teilhard de Chardin, and Pope John Paul II.
The modern reader of spiritual texts may surely have come upon this 14th century text. Its roots go even farther and deeper to the days of Plato and before. Some may deduce that they have come into an esoteric knowledge after reading excerpts of The Cloud of Unknowing when called by another name.
Indeed this ancient text again finds currency in 20th century spiritual thought. Yet the simplicity and the point which its author sought to bring forth was one that expressed the vitality of love as the central authority and force of all created beings; that, when at the 'end of words,' one must turn to the "cloud of unknowing" to further enter into the mystery of love.
For its writer expounds, there is no other way to knowing the All [god, god-head] save through love in its expanded form, a form that is not intellectual. Today's thinker is familiar with the term 'mysticism' which the Cloud's writer was not. He thought of it, simply, as hid [middle English-- hide, hidden] divinity. In this mind, he delves into the secrets of divine love. The heart of his revelation is disarmingly simple: love. We are all creations of love, he says.
He seeks to lead the practitioner of his method of meditation to the very being of god, which he says is being itself. Employing the simplest of methods, this mystic teaches a "here-there" or a "from-to" way of meditating a person between the everyday world into a world of light, of humility, of charity. The Cloud states, "for in this [everyday] life, no man can see God."
With simple confidence the Cloud says, 'The one who perseveres, who walks with courage, with faith, hope, and most of all, love, guides his soul through all manner of difficulty, which if faithfully followed leads the seeker to loving, in union with the One, the God.'
Throughout the ages and into modernity, many have loved and been moved by the writing, The Cloud of Unknowing. They would include thinkers such as St. Bernard, St. John of the Cross, French theologian, Teilhard de Chardin, and Pope John Paul II.
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